CD Review: Eric Van Aro’s “Endless Roads” By Brian Arsenault

The last time I reviewed an album by this guy in early 2014, I complimented his reclaiming stellar jazz singing for the guys in the face of so many fine current female jazz singers.

This time, withEndless Roads, Eric Van Aro has reestablished the stripped down rock/pop sound amidst an avalanche of overdubbed, over-produced, echo chambered, synthetic slop so dominant today. (We won’t name the purveyors as they know who they are; unshaken TV commercials abound for their concert tours; Good Morning America appearances before overexcited pre-teens. You know the drill.)

Eric Van Aro

Eric himself writes that he has “been taught that the musical roads one can and should take are endless . . .” He may need to be careful, though, as the musical world has long since shown an obnoxious need to characterize artists and their art forms, neat little boxes to keep our tastes in without a lot of thought.

Eric, though, can find room for works by Pat Metheny, Laura Nyro, Randy Newman, Jimmy Page/Robert Plant, Bruno Mars and himself in the same album. Really.

Maybe the bravest piece is Mars’ “Just the Way You Are.” Reworking a big hit by a pop giant is to walk on the edge of unacceptable, as the original version is tucked so deeply into our musical consciousness. Singing along with the car radio and such. Eric pulls it off anyway by tipping his hat to the hit while singing it in his raspier, deeper way.

Eric Van Aro

The lesser known Zep piece “Friends” moves effortlessly from bluesy at the start to jazzy at the end.

“This Is Not America” opens the album and sets the rocking tone with Max Elli’s slick rock guitar opening. Elli is a strength throughout the album, weaving in, under and around Van Aro’s vocals as if they had played together for years. In actuality, they seem to have met musically on Endless Roads.

Eric’s artistic generosity means this could almost have been billed as Elli’s album with Eric providing vocals, rather like the long ago days of Jeff Beck with Rod Stewart.

He notes that on this album he “really tried to let the producer in me stay at home and let myself by guided by my producer and my musicians.”

Kudos to Giordano Colombo for his production. As noted, a clean, crisp, basic sound is quite rare in these days of dubbing to the max.

Drummer Giordano Colombo is solid throughout and really breaks out on “Stratus.” If there’s such a thing as rock scat singing, Eric shows it off here.

Nyro’s “And When I Die”, recorded memorably by Blood Sweat & Tears, adds a little country flavor and Randy Newman’s “I Think It’s Going to Rain Today” has just a dash of Van Morrison flavor in Eric’s vocal.

The album closes with Van Aro’s co-written “One Life One Song” and as an earlier song notes: “. . . that’s the way to treat a friend.”

The friend in this case being any listener.

Endless Roads will be released on September 17.

* * * * * * *

https://irom.wordpress.com/2015/09/01/cd-review-eric-van-aros-endless-roads/

(c)(p) 2015 The International Review of Music

#ericvanaro #endlessroads #brianarsenault #brunomars #jimmypage #lauranyro #ledzeppelin #patmetheny #randynewman #robertplant

You take a little Francis Albert phrasing, some Mel Torme smoothness and some Dr John deep, deep tones and you start to bubble up some of what Eric van Aro is on Obsession

Brian Arsenault - Review Obsession 19 feb14

The International Review of Music

 Eric Van Aro

 Obsession (Eraki)

 By Brian Arsenault

You take a little Francis Albert phrasing, some Mel Torme smoothness and some Dr John deep, deep tones and you start to bubble up some of what Eric Van Aro is on Obsession.

Eric Van Aro

The man takes back for male jazz vocalists a little of the dominance of female jazz singers in recent years.

This is a voice that could lure the unwary on the rocks of a club but also fill a Broadway stage, depending on material.

That club I mentioned, it’s a small room, so for most of the evening there’s only enough space for the singer and a pianist. That’s fabulous Fabio Gianni on piano and his work with Eric here goes beyond accompaniment.

He supports and enhances the vocals so well that at times, they become one. In musicality. In emotionality. In…

View original post 406 more words